Currently, I have monitoring and output turned off for my video sources, when I turn them on I get audio levels in loopback, but I also get a very bad echo in headphones. But the weird thing is I get no audio levels coming into loopback from OBS but my recording has audio. I have tested this setup in OBS by recording video and it works. In loopback, I use OBS and my mac laptop mic as sources, and then in OBS ninja, I set my source as Loopback (combines mic and OBS). I set up a room in OBS ninja and then set it as a browser source in OBS. At times I need to capture one or two people remotely and feed them into OBS and then out to Zoom. Rogue Amoeba has two bundles that reduce the cost: Loopback and Audio Hijack for $130 and those two apps plus Farrago and its Fission simple audio editor for $175.Hi all, I use OBS to capture and stream presentations via zoom. Farrago can be just another sound source into a Loopback interface. Loopback makes it easier to create and control sets of devices to feed into Audio Hijack, however, and make them available systemwide.

Audio Hijack includes recording and effect options, and is aimed more at a front-to-back audio-capture process. Loopback pairs neatly with two other Rogue Amoeba products:Īudio Hijack ($59), which has a few feature overlaps, andįarrago ($49), a soundboard that lets you store and play sound effects and audio snippets. Third, to avoid accidental deletion of audio routing, when you select a route and it highlights by thickening its line, pressing Delete on its own doesn’t remove it. But dragging a new “wire” doesn’t re-reroute existing connections, even though that might also seem logical. Second, you can route an output to multiple inputs, dragging repeatedly from the same output jack. With large recording projects using a lot of mics or other sources, Loopback could allow a producer or mixer to bypass more expensive software. The previous limit was already quite high at 32, and clearly some users asked for more. Loopback 2 supports up to 64 channels of passthrough audio, letting you take up to 64 input channels (32 stereo channels) and pipe to any combination of up to 64 output channels. I’m sure some folks need this many channels, and if so, Loopback is there for them. For example, you might want to dump the output from an audio editor program as the input of a Skype call, so someone else could listen to changes and approve them as you edit. Hold down the Option key and a Running Processes menu item appears, letting you select the audio output of anything currently running in the foreground as an app or in the background as a system process or agent-this includes Siri and other parts of macOS that produces audio or “speaks.” IDGĪn Option-click gains access to everything running on a Mac, including hidden agents.Įvery new device automatically includes Pass-Thru, which lets it be used as an audio input as well as a combined output, useful for apps that let you choose a specific audio output device. A drop-down menu shows all running apps and connected audio input devices. You click a + to create a new virtual device, then select sources. Setting up Loopback is a simple matter, made more visual and easier to understand in version 2. One step shy of literally “plug and play” But if none of these uses remind you of tasks you’ve tried to manage or want to do, Loopback likely doesn’t meet your interests. On a podcast with remote guests, where you want to have background music, live music, or snippets play during the recording that everyone on the connection can hear just as you can.Managing a call with people across multiple internet audio apps, like audio calls within Slack and Google Hangouts, so that you and everyone can hear each other.With multiple USB mics attached, combining their input to feed into a FaceTime call.Taking the output of a tab in Safari that’s playing cable channel news and recording it through QuickTime player.

Loopback alternative mac